"Blue Moon" — the scenario that drives every decision
A 17-year-old unboxes ALSE. They have a song called "Blue Moon" about a breakup. They have never used a DAW. They do not know what a bus is, what gain staging means, or how to ask for what they want. The system must bridge that gap — from first command to finished recording.
The concierge who doesn't execute commands
Reese is the front door. She does not mute tracks, arm inputs, or touch transport. Her tool surface is constrained to conversation, intent routing, and failure explanation. When a command comes in, she classifies it and delegates — technical command goes to Ray (the engineer who never speaks), creative question goes to James (the producer who never touches the DAW).
This separation is what makes the system deterministic. If Ray's process crashes, James and Reese continue independently. The studio does not go down because one persona failed.